Haraway's 'A Cyborg Manifesto' is a key postmodern text and is widely taught in many disciplines as one of the first texts to embrace technology from a leftist and feminist perspective using the metaphor of the cyborg to champion socialist, postmodern, and anti-identitarian politics. Until Haraway's work, few feminists had turned to theorizing science and technology and thus her work quite literally changed the terms of the debate. This article continues to be seen as hugely influential in the field of feminism, particularly postmodern, materialist, and scientific strands. It is also a precursor to cyberfeminism and posthumanism and perhaps anticipates the development of digital humanities.

The 1979 publication of Susan Gubar and Sandra M. Gilbert's ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women's writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontes, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar

Haraway's 'A Cyborg Manifesto' is a key postmodern text and is widely taught in many disciplines as one of the first texts to embrace technology from a leftist and feminist perspective using the metaphor of the cyborg to champion socialist, postmodern, and anti-identitarian politics. Until Haraway's work, few feminists had turned to theorizing science and technology and thus her work quite literally changed the terms of the debate. This article continues to be seen as hugely influential in the field of feminism, particularly postmodern, materialist, and scientific strands. It is also a precursor to cyberfeminism and posthumanism and perhaps anticipates the development of digital humanities.

The 1979 publication of Susan Gubar and Sandra M. Gilbert's ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women's writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontes, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar

This is a systematic reconstruction and critique of Hitler's use and abuse of theological concepts, and demonstration of their fundamental importance for the rise of National Socialism. "Hitler's Theology" investigates the use of theological motifs in Adolf Hitler's public speeches and writings, and offers an answer to the question of why Hitler and his theo-political ideology were so attractive and successful presenting an alternative to the discontents of modernity. The book gives a systematic reconstruction of Hitler's use of theological concepts like providence, belief or the almighty God. Rainer Bucher argues that Hitler's (ab)use of theological ideas is one of the main reasons why and how Hitler gained so much acquiescence and support for his diabolic enterprise. This fascinating study concludes by contextualizing Hitler's theology in terms of a wider theory of modernity and in particular by analyzing the churches' struggle with modernity. Finally, the author evaluates the use of theology from a practical theological perspective. This book will be of interest to students of Religious Studies, Theology, Holocaust Studies, Jewish Studies, Religion and Politics, and German History. The relationship between religion and politics is both fascinating and challenging, and recent years have seen substantial changes in the way this relationship is studied. Aimed at undergraduates studying in this area, titles in this series look specifically at the key topics involved in the relationship between religion and politics, taking into account a broad range of religious perspectives, and presenting clear, approachable texts for students grappling with often complex concepts.

Hitler's Theology investigates the use of theological motifs in Adolf Hitler's public speeches and writings, and offers an answer to the question of why Hitler and his theo-political ideology were so attractive and successful presenting an alternative to the discontents of modernity. The book gives a systematic reconstruction of Hitler's use of theological concepts like providence, belief or the almighty God. Rainer Bucher argues that Hitler's (ab)use of theological ideas is one of the main reasons why and how Hitler gained so much acquiescence and support for his diabolic enterprise. This fascinating study concludes by contextualizing Hitler's theology in terms of a wider theory of modernity and in particular by analyzing the churches' struggle with modernity. Finally, the author evaluates the use of theology from a practical theological perspective. This book will be of interest to students of Religious Studies, Theology, Holocaust Studies, Jewish Studies, Religion and Politics, and German History.

This volume provides an introduction to the diverse field of visual culture in the 19th century. It surveys major changes in the field taking into account photography, theatrical practice, changing land- and cityscapes as well as new technologies for entertainment and information. The inventions and discoveries of the period revolutionized methods of cultural production, provoked new intentions in representation and radically altered the experience of the visual in art as well as everyday life. Hence people had to adapt to new perceptions and their habitual ways of seeing were challenged. At the same time they carved out new positions for themselves vis a vis the visual, defining new identities as spectators and observers. In addition to the introductory overview, the volume offers a collection of articles which concentrate on less well-known aspects of Victorian visual culture, seeking to contribute an explanation in the context of the larger political, thus seeking to disclose new vantage points for explanations in the of the larger political, ideological and psychological context of the era.